Showing posts with label money. Show all posts
Showing posts with label money. Show all posts

Saturday, January 7, 2012

At this Fort Worth 'factory,' they're in the money

Reporting from Fort Worth—

With the holiday shopping season behind us — and slim pickings in our wallets and checking accounts — most of us lament the truth of one particular adage: Money doesn't grow on trees.

Unless the prospect of a lengthy term in prison sounds attractive, we're probably not going to sneak off to the basement or the garage to print some extra green. As much as we might like it, that's a job we have to leave to the Money Factory.

Year in and year out, there's never a shortage of moola here, where about 58% of America's money is made. By the time this new year of 2012 is over, the place will have produced $139 billion of crisp, new notes. That would be enough to give a post-holiday gift of $445 bucks to every person in the country, if distributing the wealth were that simple, which, of course, it isn't.


FOR THE RECORD:
Currency: In the Jan. 1 Travel section, a caption said that a photo showed the Western Currency Facility in Texas. It was a photo of the Bureau of Engraving and Printing in Washington, D.C. —

As people learn during a tour of the Money Factory — formally known as the Bureau of Engraving and Printing's Western Currency Facility — nearly all that cash being printed on the shop floor here and in Washington, D.C., is destined to replace worn-out bills that are withdrawn from circulation.

Getting into the sprawling Texas plant is similar to going through security at an airport, although visitors must leave most of their personal belongings — cameras and cellphones included — in their cars. They then go to the Transfer Station, where, under the watchful eye of members of the facility's own police force, guests pass through metal detectors before boarding buses for the short ride to the factory.

One-hour tours begin in a theater where a film called "The Buck Starts Here" explains how money is made. Guests then pass through a vault-like door into a quarter-mile of corridors filled with thick glass windows overlooking the production floor.

"The average production equals $386 million a day," tour guide Kim Hein said before jokingly adding: "Those folks down there can say they make $16 million an hour."

To thwart those who might seriously contemplate making money of their own, sophisticated machinery is used in the four-month process of making a bill. (There also are several drying periods along the way.)

"You start off with the offset," said Charlene Williams, the facility's director. "That's where your color is incorporated into the note. Then the intaglio printing is like the fine line, very deep engraving. If you run your finger across the engraving, you'll feel the raised image on the note."

Later, serial numbers and official seals are added using letter presses.

"Bricks" of 400 new notes — with values ranging from $4,000 for a wad of one-dollar bills to $400,000 for hundreds — are stacked on pallets before being moved to the factory's large vault.

A single pallet of hundreds, Hein said, is valued at $64 million. (Visitors often sigh wistfully at that amount.)

Only a select group of people knows just how much money is stored in the Fort Worth vault. The guide, however, noted that it's designed to hold 1.4 billion bills.

Guests should allow time to visit the two floors of exhibits in the Visitor Center. The tours explain the history of the U.S. Treasury's moneymaking, which began in 1862, and are full of trivia. For example, the cotton-and-linen bills are made to withstand 4,000 creases along the same line before tearing.

Not unexpectedly, Williams and her staff are frequently asked, "Do you have any samples?"

Although the answer is, technically, "no," Williams has a quick comeback.

"I tell people I do have a sample. It's a shredded one," she said with a laugh. Spoiled notes, she noted, are shredded and sold in clear plastic bags in the gift shop.

"If you can place 51% of any one note back together, send it in and redeem it," she said. "Good luck in gluing."

travel@latimes.com


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Monday, August 15, 2011

'Save' money by staying out of town?

A reader recently asked, "With Manhattan hotel prices so high, would I be better off staying somewhere else and commuting when I visit New York?" I've heard the similar question from other readers about other expensive city centers. And, as with so many apparently simple questions, the answer can be complicated.

My take is that the decision to stay outside the city center rests on how you might answer several main questions:

-- How important is the city center to what you plan to do?

-- Do any nearby areas offer less expensive accommodations?

-- How good is the public transportation?

-- How inviting and interesting are the outlying areas, themselves?

Here's how I would apply those questions to a few of the world's top visitor destination cities:

NEW YORK. You visit New York for a combination of reasons -- theater, other cultural offerings, museums, shopping, and restaurants. No other area can match Manhattan's theater or museum access, so if those are your real focus, stay in Manhattan regardless of price. For other interests, some of you might find a good alternate spot in Brooklyn, where lots of new hotels have opened in the last five years, including several budget options. Brooklyn enjoys its own lively cultural life, it is emerging as both a restaurant and shopping mecca, and public transit to Manhattan's theaters and museums is pretty good. Long Island City is also enjoying a mini hotel boom, and offers a wide range to funky and inexpensive cuisines as well as good Manhattan access. But I don't recommend Hoboken/Jersey City unless you're heading for games at the Meadowlands; there isn't much local action, and access to Manhattan is fiercely expensive by cab and difficult by subway.

CHICAGO. The Windy City presents the opposite picture. Just about everything you might want to see and do is concentrated between McCormick Place and the Near North. Suburban areas around O'Hare and strung out along I-94 are flourishing as business centers, with lots of budget hotels, but there's almost nothing to do and getting into town is a drag.

SAN FRANCISCO. The main theaters and cultural action is in the city center, as are many great and many budget restaurants, and if you want to enjoy the city's midsummer "natural air conditioning" fog, you have to be in the city. However, surrounding areas Berkeley/East Bay and San Jose/Silicon Valley also boast lots of restaurants and their own cultural activities; Berkeley gets the nod for easy access to downtown San Francisco, and Silicon Valley for being its own lively center.

LONDON. As with New York, if London's main magnets are theater, museums, and shopping, stay in central London. Although you can find many modern budget hotels outside the city, schlepping in from such suburban areas as Heathrow and Richmond can be dreary and time-consuming, and you didn't really want to spend three or four hours every day riding the Underground, did you? On the other hand, if you have other interests, you might consider the newly developed Docklands area, which features good access plus its own activities and lots of local restaurants.

PARIS. As with Chicago, the visitor action is highly concentrated -- in this case, within the Boulevard Peripherique -- so you want to be there, too. Also, you won't find much of local interest in business-centered La Defense, and the rest of Paris' inner suburban ring is really not visitor-friendly.

Over the years, I've tested the "stay outside and save" system several times and been disappointed in each. Testing a great hotel deal in Newark, for example, required at least two daily round-trips to Manhattan with multiple subway rides. Ditto staying in Richmond for London: Even though I found some good local Richmond restaurants, the District Line still took far too much of my time. And my experiments around Paris were worse -- seemingly eternal train rides. On some future New York trip, however, I might be enticed to Brooklyn or Long Island City.

Send e-mail to Ed Perkins at eperkins@mind.net. Perkins' new book for small business and independent professionals, "Business Travel When It's Your Money," is now available through www.mybusinesstravel.com or www.amazon.com


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